LETOPIS is virtually wordless, with no storyline or characters to guide you. Instead, it observes a series of tableaux vivants, where the ordinary becomes strangely unfamiliar. Through the careful eye and editing of Martin Kollar, everyday gestures take on a surreal, absurd quality. In its silence, the film offers an otherworldly vision – a meditation on materiality, perception, and the absurdity of existence. More than a narrative, LETOPIS is an experience to be inhabited, a visual diary of fragments that form an enigmatic portrait of the present.